Nanako Nakajima, April 23, 2015
In this interview, the dramaturge and dance scholar Nanako Nakajima, a fellow at the center since 2013, discusses her research project on the aging body in dance. The project developed out of her experiences of training and teaching traditional dance in Japan for more the 20 years as well as out of her work as a dramaturge for independent dance productions in the U.S. Describing the ways in which age is performed and perceived differently in dance communities in Japan, in the U.S., and in Europe, Nakajima emphasizes that during the creative production process of dance pieces, interweaving practices can open up various perspectives and thus prevent offending stereotypical representations of ‘other’ cultures in performance.
Azadeh Sharifi, April 10, 2015
In this interview, the theatre scholar Azadeh Sharifi, a fellow at the center since 2014, speaks about her research project on ‘post-migrant theatre’ in Western European countries. Explaining that her research is influenced by her personal experiences as a refugee in Germany, Sharifi describes how her interest in the effects of migration on contemporary European theatre developed—effects that must be considered as formative but are, in fact, very often ignored, marginalized, or misrepresented. Strongly emphasizing the need to investigate and highlight this formative role of migration for the aesthetics of contemporary Western European theatre, Sharifi strives to critically rethink the potentials of the term ‘post-migrant theatre’.
Ayat Najafi, February 27, 2015
Now, as I walk in the streets of Lahore, I realize that I too am in a supermarket – producing and consuming Pakistan like the “Iran experts” do Iran. The lens of my camera is tinted with the preconceived notions I have packaged and brought to Pakistan. In fact, the supermarket goes both ways: Pakistanis, too, produce and consume me as a certain plastic image of Iran. Ironically, with Reza Kazim’s words of revolution still ringing in my ears, I am engaged in the free-market capitalism of clichés.
Thomas Martius, October 31, 2014
In 2013, a group of Egyptian and European artists from the fields of choreography, architecture and theatre set out to explore questions such as: What kind of society do we want to live in? What are the conditions we need to create for our lives? The group tried to address these challenges through building spatial structures in Berlin, Vienna and Cairo. The video A Future Archeology captures reflections and impressions from their first extensive research and working period at Uferstudio 14 in March 2013 in Berlin.
Kristin Flade, August 19, 2010
Upon leaving the International Research Center "Interweaving Performance Cultures," Brian Singleton gave an interview in which he complicates terms like orientalism, interculturalism and interweaving. In Ariane Mnouchkine's performance Les Naufragés du Fol Espoir he perceives what he calls "an ethically conscious intercultural" he generally believes to not have happened yet.
Kristin Flade, August 11, 2010
Kristin Flade, June 17, 2010
Kristin Flade, April 6, 2010