Sharon Dodua Otoo



THIS AUTHOR WROTE

May 27, 2014
In this paper, which was also presented at the IRC symposium Blackface, Whiteness and the Power of Definition in Contemporary German Theatre, the author focusses on how whiteness is represented in modern German theatre, using Michael Thalheimer’s 2012 production of Dea Loher’s play Unschuld as an example. read more