Danny Yung
Fellow
As an artist and a theater director, I have been approaching stage creations as critiques/critiquing, which has meant that my stage works are often considered as forms of dramaturgy in their own right. In addition, as the recipient of various medals and prizes for my contributions in cultural exchanges, I also see “cultural exchanges” as my approach to stage creations, which has inspired me to learn/research more about what constitutes the essence of cultural exchanges. Over the past two decades, I have been working closely with traditional theater artists from China (trained in xiqu, i.e. Chinese opera) as well as with artists from different parts of Asia in order to explore ways to preserve and develop these traditional (dying) art forms in our contemporary context. One of my decade-long, ongoing theater works of this nature, “Flee by Night”, will be presented at the theater of the Akademie der Künste in Berlin on 5 & 6 November 2016. During my residency, I would like to revisit and reflect on my explorations related to the trans-cultural experimentation of my art throughout the last forty years, which span theater and the visual arts. I would also like to organize my writings and correspondences on related subjects.
THIS AUTHOR WROTE
August 18, 2016
In 2009, inspired by Yuan Dynasty dramatist Zhong Sicheng's
Lu Gui Bu (Book of Ghosts), IRC-Fellow Danny Yung invited four Asian traditional performing arts masters to experiment dance and theater under the theme of "Ghosts" to reconnect the past with present, while showcasing the beauty of traditions in contemporary theater. Watch this trailer to learn more about the project.