Results containing the tag: Berlin

Video: Femi Osofisan shares his rich experience as a political dramatist and theatre director

, July 8, 2015
In this interview, the dramatist, researcher, and theatre director Femi Osofisan, a fellow at the center since 2012, explains how colonialism shaped his conception of ‘theatre’ during his childhood and how he became aware of the political, ethical, and moral dimensions of performance and theatre while studying in France in the 1970s. Osofisan also shares his rich experience as a political dramatist and theatre director who has been working around the globe for more than 30 years, practicing ‘interweaving’ as an aesthetic strategy for addressing current social and political problems in Nigeria and many other places where he has staged his fascinating work—including the U.S., the U.K., China, and Germany. read more

Video: Nanako Nakajima talks about her research project on the aging body in dance

, April 23, 2015
Nanako Nakajima In this interview, the dramaturge and dance scholar Nanako Nakajima, a fellow at the center since 2013, discusses her research project on the aging body in dance. The project developed out of her experiences of training and teaching traditional dance in Japan for more the 20 years as well as out of her work as a dramaturge for independent dance productions in the U.S. Describing the ways in which age is performed and perceived differently in dance communities in Japan, in the U.S., and in Europe, Nakajima emphasizes that during the creative production process of dance pieces, interweaving practices can open up various perspectives and thus prevent offending stereotypical representations of ‘other’ cultures in performance. read more

Video: Azadeh Sharifi talks about her research project on ‘post-migrant theatre’ in Western European countries

, April 10, 2015
Azadeh Sharifi In this interview, the theatre scholar Azadeh Sharifi, a fellow at the center since 2014, speaks about her research project on ‘post-migrant theatre’ in Western European countries. Explaining that her research is influenced by her personal experiences as a refugee in Germany, Sharifi describes how her interest in the effects of migration on contemporary European theatre developed—effects that must be considered as formative but are, in fact, very often ignored, marginalized, or misrepresented. Strongly emphasizing the need to investigate and highlight this formative role of migration for the aesthetics of contemporary Western European theatre, Sharifi strives to critically rethink the potentials of the term ‘post-migrant theatre’. read more